Changing Exhibits

Changing Exhibits

Photo Credits:  Behind the scenes photo of Patrick Kelly, Patrick Kelly Archive, Sc MG 631, Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division, The New York Public Library. Cross Colours Ad with TJ Walker and Carl Jones, ca 1992, courtesy of the Cross Colours Archives.

From Couture to da’ Streets: The Fashions of Patrick Kelly + Cross Colours

September 4, 2021-January 8, 2022

Paris, London, Milan, New York, and Mississippi – famed sources of fashion design. Yes, Mississippi warrants recognition, as two of America’s most influential fashion designers are from the state. The Mississippi Arts + Entertainment Experience honors designers Patrick Kelly and Thomas “TJ” Walker in the exhibition which features clothing, sketches, and related ephemera.

Vogue Magazine Ad, Patrick Kelly Archive, Sc MG 631, Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division, The New York Public Library.

"While Kelly worked to destigmatize racist iconography, Walker worked to uplift the black community through positive messages. In tandem, both men changed the world, and that’s why people should come see this exhibition,” said Stacey Wilson, Curator of Exhibitions at The MAX. “They inspire and encourage others to make their own mark on the world.” Today, both designers are seeing a resurgence in popularity because the message behind the clothing resonates with many in the current racial and political atmosphere.

To assemble this unique exhibition, Wilson borrowed artifacts and other materials from Jackson State University, the Memphis Brooks Museum of Art, the Schomburg Center for Research in Black Culture of the New York Public Library, and the Los Angeles-based Cross Colours enterprise. A robust schedule of programs will support the exhibit, as The MAX engages diverse audiences.

"Patrick Kelly has a witty way with fashion.” –The Washington Post, 1988

“Through their bold designs and graphics, Walker and Jones originally set out to craft positive messaging around African American culture and oppression.” –Vogue, 2019.

Visitor Information
Admission to the From Couture to da’ Streets: The Fashions of Patrick Kelly + Cross Colours exhibition is free. To view the entire museum, visitors are required to pay regular museum admission prices.

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Photo by Michael Segal

Exhibition Related Programming

Dance at The MAX: Hip-Hop Choreography
October 5, 12, 19, 26, 2021; 6-7 pm
Hip-Hop is a versatile dance that encourages freestyle moves and is fun for all ages. In this four-week class, you will learn choreography and perform at the Walk dat Walk: Fashion Show at The MAX on November 6, 2021. Registration required. Limited capacity. $15 Members | $20 Non-members Register Here


MAXEats: Cross Colours Dinner with Chef Enrika Williams
November 5, 2021; 6-8 pm
Chef Enrika Williams creates a sit-down dinner inspired by the fashions of Cross Colours. Registration required. $35 for Members, $40 for non-Members.


Illustrated Talk: Origins of Black Fashion in Church with Stacey Wilson
November 6, 2021, 11 am-noon
Growing up, there was one event we consistently dressed up for and that was church on Sunday morning. But that idea spilled over into our everyday lives as well—we had to look good every time we left the house. Why? Was it only for religious reasons or something more? Join Curator Stacey Wilson as she discusses the origins of black fashion in church. Limited capacity. Registration recommended. Free with museum admission. Reserve a Seat


Walk dat Walk: Fashion Show at The MAX,
November 6, 2021, 7-9 pm
Not just a fashion show, but a curated Couture-Hip Hop experience. Come enjoy a night of Hip-Hop dance performances and view the newest collections by Cross Colors modeled by people from the community. Email Stacey@msarts.org for information regarding model casting calls.

Jugline by Ke Francis

Franics_REDFISH

July 27 1, 2021-November 6, 2021

Narrative art is more than visual storytelling to Ke Francis. He uses it to connect people of all ages, races, and cultures. A special exhibition titled Jugline will feature Francis’ story of The Walking Catfish, as well as lithographs, large woodcuts, book art, and block printing materials.

“It seems that whenever a visual artist exhibits work the audience asks them to explain it. That quickly steals the magic because one of the great aspects of visual art is that it can mean different things to different people. Once I understood what the audience really wanted, I quit talking about the art and started telling stories that paralleled the work. After a few exhibits, I realized I was accumulating short stories and I decided to print them as thin volumes. That was the start of book publishing at Hoopsnake Press in Tupelo in 1992,” said Ke Francis.

Just like narrative art taught later generations how cavemen gathered food, Francis’ The Walking Catfish teaches us that humans are more alike and more amicable than we think. Francis’ twist on this old southern folktale is the story of a boy who befriended a catfish that amazingly, can walk. The catfish becomes a pet and friend, only to come to his own demise in the end.

“This exhibition is great because it touches upon artforms many kids don’t think about as careers-illustration and block printing. I also love what Francis has created through visual storytelling. Jugline creates an experience rooted in art that teaches us we are all connected and can relate to one another. After all, everyone has lost someone,” says Stacey Wilson, Curator of Exhibitions at The MAX.

The exhibit is free with museum admission.

Past Exhibits

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